There are a number of ways that you can learn how to draw a rose. The easiest way to do this is to trace them from your computer screen. To do this just go to any search engine and do an image search for a rose. Then find the rose that you like and trace it directly from the screen.
If you place a piece of printing paper onto the computer screen with the rose image on it you will be able to see a faint outline of the rose through the paper. This can be helpful because you will only be able to see the basic shapes that make up the rose image. This will also give you some ideas as towhat basic outlines actually areso will be helpful if you are a beginner as it will give you a better understanding.
You can then trace the outline onto the paper with a pencil or pen. Do not press hard on your pencil or pen when doing this as it might damage your screen. You can go over your tracing again after it has been traced off the screen if you want to by placing it on a flat surface. The more times you draw a rose the better you will get at doing it.
You might want to watch it as well on the video below seeing somebody else do it helps as well.
How to draw a rose the best way.
The best way of learning how to draw a rose or anything is to start out by simplifying that which you want to draw. Reduce the object down into lines and shapes to make it more simple. Intentionally try to ignore all the fine details and simply concentrate on the outlines and shapes in order to get to the basic outline first.
When you have created your basic outlines you can start to shade and create the more detailed areas of your rose drawing. I always try to start with the lightest tones first working to the darkest tones last of all because it is easier to remove mistakes when they have been made lightly. If you make them too dark then they will be much more difficult to remove if you need to later.
I always try to leave as much of the paper showing as the lightest tone of all which is usually white. I gradually make the shadows darker and darker as I progress because this helps me focus my observations as the drawing becomes more defined. There are lots of photographs online to help you with your drawing. Learning how to draw a rose can be more difficult if you try to copy real roses so to make it easier it is best to copy from photographs.
Another way to learn how to draw a rose.
Using a reference grid is easy.
Like the example above you can draw a grid over the top of any picture you want to draw. Then copy the grid onto a piece of paper so you can see where the line touch the grid. You use these as points where you can see that the marks go into. Copying the image with help of a grid also helps to teach you to look from side to side, up and down. This is how people draw images that look good by looking in this way to find reference points and making sure they line up with each other.
Julian Beever sidewalk art and pavement chalk artist is now very well known on line. Over the past 6 or 7 years he has grown to become a very popular figure of discussion, which is because of his excellent 3d drawings having gained him widespread publicity, people sure like unusual subjects to discuss don’t they? In his work he creates the most amazing side-walk art by using anamorphic perspectives.
It could be said that he is an expert in the creation of dynamic optical illusions, with much experience in focal plane perspectives, this alone is to be admired, if not for any other reason than using anamorphic perspective and dynamic perspective to project himself across the world. Most of his work is celebrated by both people & businesses alike, having donated to this effort, allowing the opportunity for Julian’s work to exist. Once the work is completed it is abandoned, thus making it into what is called ephemeral art, an art form that has a short life span, something that eventually disappears like tears in rain.
Julian Beever Sidewalk art.
In his book (Pavement Chalk Artist) he proclaims himself to be an entertainer, a showman, who started as a juggler and become a community activist, celebrated on a global scale as well as also being a very competent draughtsperson. Maybe he has a BA degree acquired at Leeds Polytechnic under his belt but after that he certainly went his own way and set his mark on the world populace.
All I can say about him really, is street art.
Because Julian Beever sidewalk art is unusual it has drawn attention to him from people all over the world but he also uses the same tools as the media networks that publicize the creations and portray the work. Works that can only be seen at their best through the eye of a camera lens, the same camera lens that was used to draw them. Coincidence or not these are the same visual tools that are used in the media networks and the social media networks that are enjoying a bonanza online at the present, photos say so much and are so easy to share. Grab attention for yourself by creating unusual art, 3d drawings that you can give to the news and wider media to be shared using the same tools everybody uses, coincidence or not, it works.
Julian Beever sidewalk art, 3d paintings don’t seem that difficult when you know the methods used to create them so please let me tell you how.
If you look at a pole or post that stands upright coming up from out of the ground, it will look like it is standing upright, it needn’t be a pole or a post, it can be anything, I use a post for explanation because it is a simple shape to use as an example.
Take a look at it from about 6 meters or 12 feet away, you will easily see the image as an item standing upright. You will see the post with all the differing angles that your brain will tell you is a post standing in an upright position from the ground. If you then draw a picture from the exact position you are standing in or take a picture from that position with a camera, it’ll look like it is a post standing in an upright position. If you then place that drawing, image or photo, flat on the ground it’ll look like a picture lying on the floor but it will never have the look of a post that is standing upright. It will not matter how big or small it is, not even if as large as the post itself, it’ll never really look like an upright post. If you move further back away from where it is lying on the floor, it’ll be increasingly difficult for you to identify what it is, as the angle which you’re looking at will make it more and more obscure. Julian Beever correctly refers to this angel as a viewing plane.
This is why it’ll not work.
When looking at 3D objects in reality our eyes see many different angles which are related to size, shape and distance, because you’ve 2 eyes, they see little differences and your brain informs you when the objects are 3-dimensional by understanding the meaning of all these different angels, it tells you that what you are seeing is 3 dimensional and has more than 1 side, which is what happens for you to see in 3D.
An example of this phenomenon can be seen in Julian Beever sidewalk art below, described as the swimming pool, in the High Street.
Below is the same Julian Beever sidewalk art example of a pool drawn on another high street from an opposite viewing position to show how these images are elongated in order to make up for the distance they are being viewed at and giving the illusion of them being closer than they actually are.
This helps the Julian Beever sidewalk art to achieve the illusion below by tricking the eye into thinking the focal length is shorter also enabling Julian to give the impression of a very small man on the top of a very large bottle.
In the Julian Beever sidewalk art pictures above, I’ve highlighted the lines where the paving slabs join, so you are able to see more clearly that the top part of the bottle is much bigger than it should be in relation to the bottom to create the illusion of it being closer.See how the base of the bottle in highlighted section 2 is just a little bit less than the width of one paving slab but the middle section just before the neck begins to taper in, highlighted section 1 is almost 2 slabs wide and should help you to understand that the drawing is being distorted in order to help make up for the distance it is at.
The distance is best seen by looking at the Julian Beever sidewalk art example aboveto see how small he is when compared with the girl and looking at the gradual reduction of the size of the tiles, they can also be used to help to measure out and map the construction of your drawing like using a grid. The top part of the drawing looks like it is about two tile’s wide and much larger than the base of the bottle in the drawing.
Trying to understand how Julian Beever sidewalk art works.
When doing a drawing of a post so that it gives the impression of it standing upright, it would have to be elongated so as to confuse your eyes and brain into thinking it was closer to you than it actually is. It would also have to be much wider at the top to compensate for the distance and the further away it is the wider it would have to be because something further away gets smaller, meaning you will need to make adjustments to it in order to be able to compensate for the distance. Doing this in the drawing will give the illusion of it being closer than it is in reality. The Julian Beever sidewalk art incorporates these measures into the drawings to make them more believable and 3D looking.
A bit like the picture below, where the horizontal drawing is much larger at the other end from the base because it is farther away so it is drawn bigger making it look like it is closer.
Julian Beever sidewalk art.
Below is yet another example showing Julian Beever sidewalk art that shows the image as being elongated so that it will work from the distance in which it is being viewed.
The image above of the world picture shows another example of stretching the drawing and how the drawn image becomes much bigger as a means of compensating for distance Please take a look at the Julian Beever sidewalk art video below.
Below, I’m told this is a different type of drawing that has been attributed as being more Julian Beever, sidewalk art in the form of being a more traditional mural on a wall, it’d not surprise me as it is somewhat in a similar style that is reminiscent of other drawings he has composed. If this is not one of his drawings then it would be safe to assume that there has been some influence from Julian Beever sidewalk art in this work and I’d be very surprised to find it hasn’t. I like it as it’s very dynamic and impressive.
It turns out that the above image was not by Julian Beveer and may have even been an insperation to him and not the other way round because this work was unveiled in 1975
It is fifty foot by seventy five foot mural titled TUNNELVISION by artist, Blue Sky.
More information and work by the artist can be found here at this link.
Julian Beever sidewalk art, chalk art can be seen in his book (Pavement Chalk Artist) 2010 is full of wonderful insights about his work giving you a small insight into the mind of the artist himself and how he created this popular street art, I bought mine from here and it was worth every penny better than any ebook online.
The challenge is to draw this lighter as an Anamorphic Perspective and reveal how it is done for those who are interested in finding out.
I took the lighter image and inserted a grid over the top to use as a reference grid for doing the drawing, I also want to show what the Anamorphic Perspective Grid actually looks like.
My camera was set up so I could draw the grid by using a camera as a viewer so as to be more able to draw the grid by using the viewing window of the camera as a guide. This is the same position and angle that the original lighter photograph was taken at.
In the image below you can see both the grid that has been drawn onto the A1 sheet of cartridge paper and the image as seen through the camera lens. It shows the difference between the real drawing on the paper and the image being viewed through the lens and you can see that the image in the camera viewer is now symmetrical. This now enables me to copy the image from the lighter standing in upright position with reference grid over the top as above.
The image below shows what the Anamorphic Perspective Drawing Grid looks like when viewed directly from the front and looks like a normal perspective drawing grid that would perhaps be used for drawing a building looking down from the top.
This is my quick drawing of the lighter when viewed from the correct position with the camera as you can see it worked and the lighter actually looks like it is standing upright.
When you look at the image below it helps to get a look at it in its natural state as a flat drawing on a flat surface and help to get an understanding of how the Anamorphic Perspective works.
Below is the drawing completely in its natural viewing state as it can be seen directly from the front and now you can see how distorted it actually is. It is now quite easy to draw an Anamorphic Perspective grid because it is in actual fact a normal perspective drawing grid being looked at from upside down.
Julian Beever sidewalk art, chalk artist his work can be seen in this book (Pavement Chalk Artist) 2010 it is a full colour book of some of his work giving some wonderful insights about how he came to create this popular street art. I enjoyed reading this book and gaining the small insights into the thinking of the artist himself, it was bought from Amazon and it was worth every penny better than any ebook down loaded from off line, I prefer the real thing.
Learn how to draw skulls by first thinking about the caricaturists of a human skull, it is composed of bone that forms the overall shape and because of this it is an off white color making it great for practicing your shading and providing a good subject matter to encourage you to make more use of the paper tone. Even if you use colored paper with highlights to emphasize the lightest tones, your skull drawings will still look good, giving you plenty of practice with your drawing techniques and skills. Common features to a skull are the brain cavity with a nice curved area, eye sockets, nose cavity, jaw and teeth. All of these can be exaggerated as features to easily create the skulls of monsters or sinister creatures but still recognizable as skulls because they have strong characteristics and features that are easily recognizable.
My advice for you would be to draw a human skull a few times so as to understand what a human skull looks like and how it is drawn but I don’t expect you to have one of your own so I have provided a few examples for you to draw if you want to use them. I would advise that you trace them first so you do not have to do the outline construction this will make it easier. If you want to learn more on the subject of tracing and its benefits then you could join my ezine and down load a free report on the right hand side of this page. When you have a few outlines drawn you can decide on which one you would like to continue by doing the shading on it.
This will help you to see more detail in the subject matter, informing you as to how the shapes fit together and how the shadows help to create a more three dimensional shape to your skull drawings or any drawing.
It will also be good practice for helping you to better understand how to draw skulls of all kinds’ not just human skulls because it will put accurate information into your head to start with about skull drawings .
The video below will help you by showing you how I draw; it is always good to watch how others draw.
I suggest that after doing this you should try to draw some skulls free hand from memory.
The best way to draw skulls is to start off drawing real skulls then after drawing a few you will have the information written into your brain so as to be more able to draw them from memory. The good thing about learning how to draw skulls is s is that they are not like faces and do not have to look like a particular person in fact you can be quite creative with them because of this. The best way to start off is with the main outline which depending on which angle you are looking at is a circular shape with a rectangular bottom where the jaw would be when looking from the front.
When looking from the side it would be an oval shape lying horizontally with a rectangular shape jutting off the front where the jaw would be again.
From this basic shape you can then start putting in the detail, if you do these out line drawings with light pencil marks they can more easily be covered up as you put more detail into your drawing building it up as you go along. My best advice would be to use photographs to get your information and you can find many of these online but just in case you’re not able find any then you can use these that’s why they are here the help you learn how to draw skulls and you will find plenty of interesting angles that can be useful if wanting to add some other adornments like hats or head dress to you skull drawings when learning how to draw skulls.
Skulls are good for drawing as they are quite easy, once you have drawn a few, you can get a buzz out of drawing them because they look good without great effort, they can be used for horror art, fantasy art, tattoos or cartoons. They can be combined with many other elements of creature and character designs, they are good for adding drama as a visual dynamic, I enjoy drawing skulls and have drawn many.
Now you should try drawing some more skulls free hand by making simple line drawings of them trying out different versions quickly, try exaggerating features like cheek bones or teeth, try having some teeth missing. You could make one into a pirate skull by giving it an eye patch and a bandanna or an Indian with a head dress or a cowboy with a Stetson, the possibilities are endless. How to draw skulls will help you to make some great skull drawings but you should at the very least start by drawing your skull drawings from the photographs of real skulls. View Gareth Pritchard’s profile on G+
You are not going to believe this but all pictures are easy pictures to draw, ha, ha. 🙂 🙂
The truth is drawing is easy when somebody tells you how easy, there are many easy pictures to draw but most people don’t realize, don’t know, don’t want to know or don’t want you to know and that’s the truth. The visual culture, visual media, commercial arts, arts industry, all make pictures the easy way and the only people who don’t are us, ordinary people like you and me. Except I realized this by accident really because I spent 40 years learning the hard way first, the most difficult way possible really by teaching my self.
Easy pictures to draw is how the industry do it.
Take a good look at the drawing, commercial arts industry, colleges, universities and you will find far less little actual drawing going on than you realise, much of it is now done on computer, by machine, yet we all try to do it the hard way by trying to draw free hand. Yes there is great self satisfaction and accomplishment in doing drawings free hand but when you are trying to draw like your favourite artist or draw your favourite picture, you will find that it usually comes from the art media industry, who don’t do it that way really when they use machines to do it and it’s quite different.
They use computers for everything nowadays, so it is questionable if it is actually drawing at all, aren’t they very easy pictures to draw when a machine does it for you?
Yes it takes some understanding and skill to use those machines but the question is are they doing the drawing or are they operating a machine that’s doing the drawing?
Of course nobody tells you this, nobody tells you when you are drawing or learning to draw that you are competing against machines and I am not sure if they or any body at all even realizes it but drawing with a machines is questionable because who’s actually doing the drawing?
Those that use these machines don’t tell you either but like I have already said I am not sure they have realized, I would love to tell you that it’s some dirty secret but I am not sure it is, they just let you form your own opinion which is what we mostly all do anyway.
Let me get back to the subject after my little rant, easy pictures to draw are very easy so easy even you can do them and compete against these machines, not only compete but use them so you are doing the drawing, real drawings that you can tear in half if you want to and throw away. Try doing that with a computer drawing, have you tried ripping a computer in half, don’t bother it’s a waste of time and somebody else might have the drawing on their computer so you won’t even be able to destroy it. Just a silly joke don’t take me too serious on it please!!!
How much does a pencil cost, $2 perhaps for an expensive one, how much does a computer cost $500 for a reasonably cheap one, how much does the software cost, any thing from $50 to a $1000 plus depending on what it is. You already have access to a computer or you wouldn’t be reading this so no worries there, all you need now is a pencil and some paper.
I am sorry but I still haven’t told you how to draw easy pictures but I will if you join me and down load my free report (How To Draw Easy And Simple), please find a subscription box at the top of the page, soon it will be you finding easy pictures to draw.
If you want some drawing ideas then take a look at the page at the end of this link to drawing ideas.
Easy pictures to draw will soon be everywhere you look if you read my report, I promise and I will also not be filling your email in box with spam every five minuets trying to sell you something either, once or maybe twice a month if your lucky will be sufficient but not trying to sell you stuff.
Hello there, I am not going to give you any easy drawings to draw as such because I do not really know what you like or would want to draw. The best part of this is you chose your own drawings and I am going to make it very easy for you. I am going to make it so easy anybody can do it, if they can hold a pencil. I am going to do this by telling you a way how you can draw anything you want, quite simply by drawing it off your computer screen, it’s that easy.
Easy drawings to draw are so easy they are simple.
Yes, easy drawings to draw are so easy, you just find the pictures that you like, that you can get from anywhere on line or from photographs that you or other people have taken, they could be anything. You can get your favourite Anime or Manga pictures they could be pictures of animals or people the choice is yours and all you really need to do is trace them from your computer screen, it’s that easy.
If you place a piece of plane printing paper on your computer screen over a picture that you like you will be able to see it through the paper because of the light coming from your computer monitor. This means that you can trace any picture you want if you can get it up on your computer monitor screen and it’s so easy. Most commercial arts, drawing studios have tools that are called light boxes or rather they used to have these because now nearly everything is done on a computer, meaning the light boxes are not used so much anymore. These light boxes are a box with a light inside and a piece of glass or clear plastic over the top, where you place the picture you want to draw and a clean piece of thin paper over the top to draw onto. These light boxes are not as good as a computer monitor because the light has to shine through the image and the paper you want to draw onto, whereas with a picture on a computer monitor the picture is its self the actual the light source.
Any picture you like.
Tracing pictures in this way will help you to be able to draw any picture you like quite easily and once you have got the outline of the picture you want to draw then you can finish it off by doing the shading or colouring it in, but don’t attempt to do this on the monitor remove it first. Many people might think that this is cheating but it is just an easy way to learn how to draw easy drawings and if you do this it will help your free hand drawing improve a great deal.
Easy drawings to draw very time.
Now that you know this you should also know that you can now draw any picture you want easy and get it right every time, the simple way, why make things difficult when they don’t have to be?
Just one thing you need to know first before you do this, if you are using a flat soft screen TFT monitor then do not press hard on your pencil as it will damage the screen, if it is glass then it will be fine and will not get damaged. There is no need to press hard on your pencil because you only need a light line to start out with as you can easily go over your drawing when it is on the table, desk or where ever you do your drawing.
We will not accept any responsibility if you damage your monitor as there is no need to press hard on your pencil and by not doing so it will also help you to become better at drawing.
Easy drawings to draw are so easy, even you can do it when you know how and now you have been told how.
The problem is that asking the question, what can I draw when your bored is it is not the right question and won’t bring results easy, if at all. It is wasted because even if others tell you what to draw, you won’t do it when your bored. The conclusion to this is easy, the answer is inside you when finding drawing ideas. Just looking and finding ideas stops you from being bored as well. Sorry but you are the only one who can answer that question. It can’t be answered for you because nobody can tell you what you should be drawing. There is some help for you though, the answer is easy because it’s not really a question, it’s a problem. Your bored and your head has nothing inside it to get it excited, you need a way for finding drawing ideas.
Finding the simple answer to being bored and help you find drawing ideas.
The real problem is easy to understand, if you don’t put anything into the box, then how do you think you are going to be finding anything to get out of it?
What this means is?
If you don’t start filling your mind with drawing ideas, then where do you think you are going to get your drawing ideas from?
When your bored you have no ideas, that’s part of being bored, this is because you don’t have anything going on inside your mined. This might sound too simple but you just need to relax and look at photos of things you like. That is what drawing ideas are, they are pictures, finding photos you like is finding drawing ideas. Doing this will get you all the ideas you like plus looking at the pictures that stimulate you because you like them helps you not to be bored.
If you think about the pictures you have drawn in the past and the reasons why you did them, you will find that it wasn’t because you had the urge to do a drawing of a car, a face or whatever. It was a specific car, face or whatever that you wanted to draw, this is often described as inspiration, a desire for drawing it.
The realization of drawing ideas.
This is very often because you liked whatever it is, especially when you are not very experienced, young, untrained or self taught because you have not disciplined yourself to just do drawing. You have not thought a great deal about why you are drawing these things, you just draw them because you’re enjoying it, you like it, without realizing, it is that easy. Why wouldn’t you like looking at photos of things that you like? You draw these things because you have a strong wish to draw them and they are never the things that you don’t like but nearly always things you do like a lot.
Inspiration is about what goes on inside your head, the things you think about, the things you dream about, the dreams you think about. Inspiration and drawing ideas are about agitating or stimulating this process into action, to help give you food for thought. Looking at and finding photos stimulates the visual part of the brain obviously because it is looking and helps to stop being bored.
Here’s the best part, we all do this all the time naturally. We have ideas and thoughts but most of it is not channeled because we are distracted by the living of life it’s self. Unless we make time to help nurture and develop this process, our drawing ideas get lost easy in a sea of information overload.
Stimulation is only half of the story, we need to transfer this information from our imaginations into the real world. Into something of substance and this is what you are drawing, your ideas, it is called self actualization. Finding pictures for drawing is much easier than actually drawing them and saving pictures to draw is good as well, there is a tool online that helps you to do both.
Do you remember this statement “If you don’t start filling your head with drawing ideas, then where do you think you are going to get your drawing ideas from?” What this means is, if you don’t help yourself by filling your head with drawing ideas by looking at pictures even only as a way of trying to stop being bored then where do you think you are going to get your drawing ideas from?”
How to help by filling your head easy using the net to find drawing ideas.
Nowadays it’s so easy to get the help you need to find drawing ideas when bored, just go online to find image searches in any of the search engines. You can get all the source material you could ever want and people today don’t know how easy they have got it really. I often wonder how anybody could be bored with all the information they have at their fingertips nowadays.
As a youngster learning how to do drawing there was nowhere near the help you have today. It was lucky if there where 2 Marvel comics or a news paper to get some drawing ideas from, let alone the billions of photos online. Sometimes this can also be a problem known as overkill, information overload or spoilt for choice but that is not the issue that we are concerned with at the moment.
Nobody can really tell you what to fill your head with but this can help you by telling you that if you fill your head with images that you like, then they will help to give you ideas. Just looking at pictures you like looking at will help you to be less bored.
This is how everybody fills their head with drawing ideas and it works like a dream, in fact perhaps this should be for sale but it’s not because it’s free anyway and just plane sense if you think about it.
Using a site called Stumble Upon to stumble for photos of the stuff you like is what I do, this soon fills my head, feeds my brain, feeds my need or feeds my greed, it doesn’t matter because it just works so easy, like nothing else for me. It’s the easy way of finding interesting photos by just pushing a button.
Finding results the easy way, organized stumbling brings results.
For those of you who don’t know what StumbleUpon.com is, then let me tell you. Besides being a fantastic place to store links to your favorite sites as a social book marking tool, it also gives you the option to click a button and view random web pages easy, these can be targeted to your specific interests.
So you can set it to view pictures and then click the button to look at random pictures of interest This is great for finding stuff you wouldn’t usually be finding because you wouldn’t know these sites exist. It is another form of channel hoping but with web pages where you can target images. You can pick broad topics, this really brings unexpected drawing ideas to mind easy, that feeds my need. This has been fantastic to me because please remember, a Marvel Comic as good as they where and a news paper is not much in the way of inspiration.I didn’t get to to do drawings of the things I wanted to when I was younger because there was no easy way of finding good pictures of the things I wanted to draw but I have since.
Then when I have got my drawing ideas off inside my head, I go to Google or Getty Images or any of a hundred other places looking for pictures finding source material to build my next drawing, pictorial illusion.
You people today, don’t know how easy you have it or how much help you really have at your finger tips.
Knowing what to draw can be easy and it is no longer an issue finding pictures for drawing. Join Stumbleupon.com, it is the easiest way I know for finding photos for drawing when bored and it is also good fun stumbling. If you are wondering about what’s in it for me, then don’t bother joining I am only trying help people by making things as easy as possible. There is nothing for me to gain from you joining Stumble Upon.
There is nothing in it for me, unless you want to do yourself a favor and stumble http://howtodraweasy.com/ that would help me, to help you, perhaps.
This is one interpretation of what you will be doing: besides just filling your head with visual information, as it will also be, popular, visual, cultural, information, of the times you are living in. It is also a fabulous way of seeing what the world likes by just clicking a button to view random web pages under your topics of interest because the most popular float to the top.
Another interpretation of this method, can be described as being a way of finding the basic subject matter, for the pop art movement, easy research into, popular visual culture, using the nowadays experiential learning rout by looking, what else could be that easy?
My easy StumbleUpon, what to draw method, is as follows.
In settings, Manage Interests, you can have the following selected because you are mostly interested in images. If you have too many topics selected then your time becomes diluted with reading and not looking.
You can installed the tool bar into your browser and whenever you are at loose end, not knowing what to do, you can easy just stumble images, related information, on StumbleUpon but to be honest, do this and you will never be stuck for something to be drawing.
I often use this method not to look for drawing ideas or images to make drawings from but develop the ideas already being developed because I have been drawing for about 40 years and developed my discipline many years ago. Using the stumble upon method of web page hopping helps me to get new drawing ideas for what is already worked on as a way of adding more to them. It often throws up some very interesting, potential developments, for these ideas that are in the making as work in progress and is a very easy solution once set up with a button in your browser.
It is also a good place to store Art/Drawing links to related web pages easy at the click of a button as favorites for future reference, without clogging up my browser favorites and keeping everything related easy in one place.
Alternatively if you don’t want to join and use stumble upon then you can go to Google images or where ever your own preference might be, to view photos you like. When viewing images you are actually stimulating your brain into thinking about these, generating inspiration for developing your own images.
Not knowing, not seeing is why your not drawing you have no inspiration, what to draw is often about not being inspired and the best way to inspire yourself, is to look at other peoples pictures, photographs or ideas which will help fill your head and feed your need.
Some images created through stumbling, can be seen below.
All the most well known and loved stories in our lives, are most often filled with elements that we can identify with and recognize. These are personal but also very similar, from person to person, so they are a shared reality. They are most often cultural preferences, with common threads, from one culture to the next and not so personal after all.
This means that stories contain elements that are common to most people, the same can be said of images, people recognize and attach meaning to images, the symbols within them and even the colors used become meaningful. This seems more so with time and maturity, as people age.
The further you move away from the norms, the more unrecognizable your drawing ideas become and sometimes more outrageous or distasteful, making them less likable to the masses in general.
This has already been said but “the answer is inside you” you are able to create your own drawing ideas by stimulating that thinking muscle they call the brain, with visual images.
You decide what you want to be drawing through your own inspiration.
Negative space might sound like a science fiction phenomenon, a Doctor Who concept or something from Hitch Hikers Guide to The Galaxy but to be totally honest it’s not.
Negative space is the concept of space surrounding an object, if you where to draw a car, then that car would be positive space but the surrounding area around it, would be negative space.
As you can see below the surrounding area, known as the negative space, still depicts the outline of the car and can be just about recognized as a car, making this an example of how negative space can be used to depict an image, that is not actually there.
The example below will help you understand this better, I am sure.
The space around an object, is important and deserves consideration, as it can be used to suggest objects, when they are not even there, saving you a lot of time because they are only used as outlines, saving you the time of rendering the detail.
MC Escher provides, probably the most celebrated examples of how negative space can be used, to great effect and below is an adaptation of his ideas, for illustrative purposes but best seen in his own work.
The image above taken from Day and Night 1938, with the original being made from a woodcut print in black and grey, printed from 2 blocks and another image Sky and Water II, which is another woodcut of the same time, both mashed together.
These are just two pieces of work from a vast collection of work by MC Escher, that convey the use of both positive and negative space, the same image in both spaces creating a clever illusion, which can be seen in many other examples like, the Chinese, Yin and Yang, which is another very popular example.
In its visual form, the Yin and Yang concept is conveyed as opposites, of equal size and proportion, where each contains some of the other, represented by the opposite neutral tones portrayed as, black and white dots in its opposite portion.
The use of negative space to convey, other double illusions, can be seen in the images below, where the use of simple outline cutouts, portray a similar image to the main figure, on the same theme of popular culture and music.
The example above takes contemporary images, to convey them in both positive and negative space, through the use of outline cutouts.
Below is a further development, using outlines as silhouettes?
When drawing an outline of something, as like, when you are constructing a drawing, what you are trying to recreate is the line, between the positive and negative space, for this reason, it is important to be able to see that line, distinguishing the two.
The point where one stops and the other begins is the outline.
The official MC Escher site: http://www.mcescher.com/ is a place to look if you would like to see, some of the very best examples of negative space illusion, as MC Escher was/is the grand master of optical illusion and negative space.
Sketching, draw and drawing are the same thing right, are they really, but of course they are, aren’t they?
To draw and sketch, are they the same?
“To draw is to sketch (someone or something) in lines; delineate; depict: to draw a vase with charcoal, to compose or create (a picture) in lines, to mark or lay out; trace: to draw perpendicular lines.
A sketch is a hasty or UN-detailed drawing or painting often made as a preliminary study.”
Many years ago when I was in school, I took an option to do Technical Drawing, I didn’t like it because it was more about mathematics, accuracy and precession with no room for mistakes, I did not consider it to be drawing at all. I believed it was too mechanical, too calculated and I did not realize then, that all drawing is about these same processes of measurement but carried out in different ways, using your eyes rather than a ruler. When doing Technical Drawing, you know how to do it and how it will look, before it has even been done but when you do some sketching, these restraints are not as important, as just getting something down on paper.
To me there is a big difference between them are: drawings are about accuracy and detail, where as sketches are about speed and experimentation, but to clearly define them individually, is difficult because aspects of both spill into each other.
When you draw with accuracy, the information you record becomes visual knowledge, so when you sketch, that same visual knowledge spills over into your practice, which in turn informs you’re sketching.
Sketching is about getting things right and wrong, to test or find new ideas, to drive your ability, where as drawing is about doing this but also it is about getting it right, with all the details in all the right places.
Drawings can sometimes also go wrong, which often inspires new ideas but with sketches, there is less emphasis on accuracy, so more opportunity for errors of judgment and greatly increasing the chance of finding happy accidents.
Happy accidents, are where people find positive outcomes by accident and many great discoveries in art, science and all other areas are found often, in this way, the one premise for doing this is, you won’t find anything if your not looking.
When people draw they first sketch an outline, then they sketch where the detail goes and then they draw in the detail. This process is one of the basic rules of drawing and sketching, along with working from light to dark.
When people draw, they first make small light marks identifying where everything goes, in relation and proportionate to everything else in the drawing, as compared to the subject of your drawing or sketching.
Drawing focuses on conveying subjects, through the deeper understanding of details contained within them, both require you to think, about what you are doing, at least in the beginning, both require you to constantly look, from subject to work area.
Both teach you to see and to look for more, even when producing less detail, you still learn to see in terms of plains, angles, curves, contour, light and dark, the process of drawing or sketching, will both aid the development of this ability.
The more you do it, the better you get at it, sketching, draw and drawing are the same thing right?
Julian Beever 3d paintings are great but I would also like to give mention to, Kurt Wenner, Edgar Müller, who are three other artists, known for doing, modern anamorphic, perspective, 3d paintings, 3d street art and these three artists, give us some proof, that there is more to looking, than just pointing your eyes, in the direction of an object.
Everybody and the dog will tell you, drawing is about looking and do you know what, all of them are right but do you want to know something else, very few of them actually explain what they mean, do they?
How important is it to understand, some basic principles about looking, when trying to understand Julian Beever 3d paintings better?
I don’t know about you but I see so much, I cannot possibly take it all in, we live in a very visually informative world, 80% of all the information we receive, is visual any way. So we are literally, being bombarded with it, saturated with it, we even see things in our sleep or at least, we think we do.
But we actually see very little because it doesn’t register, we are not really looking, we are just seeing, browsing you might say but if you are going to learn to draw, then you need to look, with reason.
Here are some obvious points, that weren’t so obvious, to me once upon a time; I used to lie on the bed, as a kid and draw, but no matter how hard I tried, my pictures never looked right.
When I used to draw at the kitchen table, they always turned out, much better and it was because of the angel I was drawing at, if you try to draw at an angle, lying down, then you will usually end up with, a distorted image. If you only look at this image, from the angle at which it was drawn, it will look more accurate, than if you hold it up squarely in front of your eyes, to view.
This information is very useful, when you look at the fantastic work, created by chalk sidewalk artist’s, Kurt Wenner, Julian Beever and Edgar Müller, these are modern day artist’s, doing chalk, 3d pavement art, that completely turns, this whole problem to an advantage, not only do they make this, a unique selling point but they also, make it their trade mark.
Before Julian Beever, 3d paintings, there was Andrea Pozzo.
There is a name for this type of art, it is called, anamorphic perspective and the earliest examples of this are, by Leonardo Da Vinci and Andrea Pozzo.
Some examples of this early work, can be seen in Andrea Pozzo’s work, on the ceilings of the Jesuit, St Ignatius’ Church, Rome, 1685 – 1694, this masterpiece, is a fabulous example, of illusory perspectives and the dome being of particular importance.
Sant Ignazio ceiling.
Sant Ignazio ceiling further away.
The dome is not real either and from a certain point, marked with a brass plate, on the floor, you find it very difficult, to see that it isn’t.
Kurt Wenner, Julian Beever and Edgar Müller, these guys do this, on the street and also create, fabulous examples of illusory perspectives, so the question for me, is how they do these illusions.
Julian Beever, Edgar Müller and Kurt Wenner.
Julian Beever, 3d paintings.
Kurt Wenner, 3d paintings.
Edgar Müller, 3d paintings.
Edgar Müller uses the computer, to digitally render the work, concepts, ideas, if you can use computer photo editing software, then this is the way to go.
Looking at the way Edgar constructs his drawings, shows that he uses, what looks like masking tape, to get parts of his street paintings accurate, it also looks like he takes an approach, similar to that used in Julian Beever’s, 3d paintings.
Here are just a couple of ideas, I tried, after looking at work done by these other guys but mostly I used Edgar Müller, for inspiration and I was pleasantly surprised.
Julian Beever explains, that he is not a mathematician and has no mathematical skills to speak of; he says that he uses, the good old grid method, in order to construct his drawings. He also uses, a camera on a tripod as a viewer, which enables him to use the fixed position of the camera, to always be able to identify, the exact position, to view the street painting accurately.
A statement made by Kurt Wenner, that explains, how he approaches his work, “Artistic geometry was the most fascinating subject” this could be mathematics, in another name, exactly the opposite to Julian Beever.
If I was going to create the illusion above, then I would do it like this, first of all I would do a scaled painting, on paper of the above image, that would be four times bigger, than the original image, which is A4, so my preparation painting would be A2 in size.
This will give me a greater understanding, of how to construct the drawing and mix the colors, it will give me a feeling for the picture, plus it is a desirable image, in it’s own right. This would also give me two images, to work from and a more informed understanding of what, I would be attempting to create.
I would find the farthest point, from my camera tripod, yes I would use a camera because after carrying out some experiments, I found it to be very helpful for viewing, not just this type of work either, so thanks to Julian Beever.
I also realized that these illusions, don’t have the same impact to the naked eye and after reading extensively, about these artists, I find that they also hint at this.
From the farthest point, I would run a tape like Edgar Müller does, to use this, as an anchor point, for the rest of the picture. Then using identifiable points, in the drawing space, environment, with this actually being the street, I would construct my drawing outline, from reference points identified, when doing the preparation painting.
I would construct my outline by marking in key areas, identifying them from my original image and marking them, with a chalk stick, until I was confident I had enough information, to create my painting. I would keep going back, to the camera to view the image and check for accuracy, I would basically draw it, like any other drawing, by using reference points, from the surrounding landscape, to identify reference points in the drawing/painting. This is a necessary, continual and ongoing process, when doing any kind of drawing but even more so, when doing anamorphic perspectives, you need to be checking and double checking for accuracy, just like Julian Beever and others, my favorites are the Julian Beever, 3d paintings.
If you would like to find out more, about how to do this, then follow this link, to Julian Beever sidewalk art, chalk art and see some more of his work, and get a better understanding of Julian Beever, 3d paintings.
Julian Beever pavement art, sidewalk art, chalk artist, has new work that can be observed in his book (Pavement Chalk Artist) 2010, it’s a lovely full color book, showing some wonderful new images and insights about how, exactly, he found his path, to creating, this popular form of street art. I loved reading through this book and attaining a glimpse, into the artist himself, I purchased mine from Amazon . com, it was worth it, much better than any e-book, I could down load off line and sits nicely on the shelf, in my collection, begging visitors, to also take a look.
Creative artists, rule the world, if we think about it but we are not doing that, today because everybody should be able, to at least understand, the creative process and creative techniques we use, if you just keep on reading this simple explanation, you will. Creative drawing is a pastime, that many people enjoy, all over the world and I am no different, it has been, so many things to me, throughout my life but one thing, it has always consistently been, is pleasure. The wonderful thing about drawing, is you only need, a pencil or pen, some paper, your eyes and your mind, in order to draw great pictures, a pleasure so easily obtained, it’s little wonder that many people enjoy it, the creative process is simple.
When I draw pictures, I often get lost for hours, fantasizing and dreaming to myself, about all sorts of imaginary ideas, concepts, stories or worlds, people, creatures and places, magic, and illusions. This is often the realm of creative artists, things that don’t exist, until you draw them and they are released from the imprisonment, of your mind, onto an unsuspecting world, it’s amazing, when someone looks at your work and says wow.
The creative artists and process.
Below is an image of Gearman, he is an attempt at showing, the workings of how creative artists, with their imagination, create illusions from everyday objects, something I have done many times, when drawing because you can often see things, in other things.
Yes, I know this is not, a creative drawing as such but is it, because it is not a photograph either, except for the, LX mountain bike gears, the rest could be considered a digital drawing, rather than a pencil drawing but in this format, it more easily shows the process, of seeing things, as other things.
If you draw pictures, any pictures, out of you imagination, from a picture or from life and you look, at what you are doing, you will start to see other things, this is not likely to happen at first because you will need, to build up visual memory from doing, a stock of past works, this is often called a repertoire. This is why, it is important to practice by doing drawings, all the time but if you like drawing, like many people do and you are a creative artist, it will not be a problem, as you will soon have a repertoire.
I want to tell you a little story, it is a bit of a dark story but a true story, all the same and also a good reason for understanding, a little bit more, about what I am trying to explain, about visual memory and creative artists.
I had a bit of an obsession, from when I was a small child, I wanted to be able to draw the human likeness, I wanted to be able, to draw portraits of real people, that looked like them. A large part of my young life, had been focused, on trying to do this accurately, so as others, would uphold my observations and confirm that I had, the ability to capture the human likeness, through drawing. I eventually reached the pinnacle of my success, in this, by drawing and painting portraits for people, getting paid by them for this work. During this time of about 3 years, doing portraits, I sold over a hundred of these, to the expressed wishes of those, I was drawing them for but I also drew many more, in the process, that I also sold, how many I do not really know, but in total, a couple of hundred. I was at it, all the time but it was causing me other problems, I discovered, I was so over exposed to faces, that I began to start seeing them everywhere, in everything I looked at. I seen faces in trees, bushes, the drawings I was doing, buildings, everything, it was fun at first but it soon became annoying, for me because I felt it was restricting my imagination, unless I was drawing faces.
I never wanted to be like that, I wanted to be able to draw faces, as well as cars, robots, landscapes, mountain bike scape’s or what ever but not just faces, and I had to stop.
I am glad I did, I don’t just see faces in everything, I look at anymore but, the only way to do this, was to stop and go back, to drawing anything but not faces, only when I needed them, for something else now.
This leads me to believe, that all creative artists, can hone their skills into a focused but restricted visual memory, by repetitively doing the same subjects, over and over, it seems to be a reason, why some of these creative artists, can draw from memory, without even looking, which is something I did not like because it felt like, my creative abilities where being restricted, to only one type of subject.
My new obsession, is to be able to draw everything and I am joking because I can do that anyway, so that’s what I do, we are all creative artists, developing a creative process, in every thing we do because that’s what humans do, when they focus their attentions on a task, this dose not just apply to drawing.