Category Archives: how to draw a easy

Single point perspective drawing.

The single point perspective drawing, is made up of a vanishing point, on the horizon line, where all construction lines, converge to give the impression of the object disappearing into the distance, as objects do, when we look at them in real life, this enables us to give our drawings, the impression of being three dimensional. Many illusions of depth, can be created by doing perspective drawing and most people find it very interesting, to do this type of drawing, in fact many people spend hours doing it because they can easily create, very dynamic 3D drawings, that look impressive.

How to draw perspective, using a single point, the most basic single point of all, can be done by putting a single dot or point, in the center of a piece of paper and then drawing perspective lines, from the center to the out side of the paper or drawing area, this then creates a single point perspective, if everything is then drawn in relation to these lines, it creates, the illusion of things, getting smaller, as they lead off into the distance, like they do in real life.

The drawing below, shows a distorted cup drawn in single point perspective, the cup looks distorted because the construction box, at the top and bottom, are on a slight angle, slanting down to the right, making it seem distorted.

In the drawing further down the page, below, the construction boxes are drawn head on and the horizontal lines are drawn, fairly accurately spaced out from each other, top and bottom making the shape, seem correct and not distorted like the cup drawing directly below.  The other aspect of this drawing, is called an ellipse, which is the oval shape, made by circular objects, when looked at in perspective, this can be created by following the explanations in the drawings.

A single point persepctive drawing of a cup.The drawing below shows a more detailed explanation, of how to draw ellipses in single point perspective, the basic formula for this type of drawing is made by using an horizon line, which can also be called the eye line. The horizon line is mostly, just a horizontal line drawn across the paper, where your eyes, would be level with, when looking at the object and the perspective point, would be placed on this line so everything in the drawing, would converge on this single point, creating the illusion of perspective.

Single point perspective drawing with ellipse.

How to draw an ellipse in single point perspective.

Information sheet, how to draw an ellipse in single point persepctive, diagramatic.

The humble graphite pencil is a great tool to use, as a first place to start because of the many, cool effects you can develop and implement into your drawings with it, like mark making, notice the different types of shading in the drawings above. There is a combination of tonal modeling, hatching and cross hatching, which are the main types of mark making used in most drawings.

Also the graphite pencil, is probably the easiest tool to get your hands on, for doing drawing of all kinds, including the single point perspective drawing, like in the examples above.

The graphite pencil.

No education is neutral, that is fact, so the only way you can really find out is for yourself, drawing is a good way to do that and I would like to suggest, that we start with the faithful graphite pencil.

The pencil has been around for many years because it’s good to use, easy to hold for most people, even the oldest available drawing tool, other than the finger (charcoal) comes as a pencil nowadays.

It is interesting to understand, that what we think of as a pencil, is most often a graphite pencil and has many similar qualities as charcoal, it can be used in much the same way but the graphite pencil will produce, more tonal variation.

The good old graphite pencil, comes in many different measures of hardness or softness, which enables the user, to create many different qualities of line, as well as a very wide variety of tones, from almost black, to almost white and everything in-between. The softer pencils come in the B range, they are identified as, B to B9, with B9 being very soft and because of this, it dose not stay sharp for very long, consistent fine lines are more difficult, without a fine, sharp tip. If you watch a well practiced expert drawing, with a softer pencil, you will notice how often they turn it, between their fingers to change the drawing tip and keep it as sharp as they can, as long as they can. The other side of this is the harder pencils. These range from H to H9, with the H9 being very hard, they will stay sharp for a long time but will also gouge deep groves into your paper, if you press too hard, when drawing but can be useful, when shading very light areas of tone or creating effects.

The graphite pencil is very versatile, it has many different capabilities, that produce many different results, all of them worth knowing about and worthy of taking a look, or even a second look, even if you have been drawing for years.

Everything we look at and see is a shape, that is often made up of other shapes, most of these shapes, change shape, when moved to different view points, this is the bulk substance, creating the three dimensional form of the shape. These can be created with two types of line, a linear or straight line and a curve. If you can draw these two types of line, you can draw, if you can draw stick figures you can draw. If you don’t draw more than stick figures, then you either don’t want to draw or don’t really know how.

The simple lines below, show some shapes and lines that can be drawn with a graphite pencil, it’s as it says, if you can write words, then you can draw straight lines and curves. If you can read then it’s even better and you’re lucky, because many people world wide, can’t.

A straight line and a curve, created a stick man.

Straight lines and curves, graphite pencil lines made with a 3b & HB pencil.

Graphite pencils 5b & 4b wooden type.

The simple lines above show, how simple it really is to draw lines and curves. None of them are outstanding, these lines have been made with HB and 4B, graphite pencils. But none of the full range of pencils, should ever be overlooked and as you can see, they are versatile, the lighter lines are with a HB, which is probably the most common of all and is a Hard Black, HB. Where as the darker lines, the word (yes), are made with a B4 pencil, which is in the B range of Blacks.

Mechanical Pencil with 3b graphite sticks.

Lets look at an exaggerated, three dimensional line drawing of a cup. These are common shapes using line and hatching to emphasize, the three dimensional form or shape of the cup using a 4B.

A single point persepctive drawing of a cup that is distorted.

You can also see the construction lines, drawn with a pencil, that where used to help create some of the out line or shape, using a single point perspective, this can also be used in a vertical direction to create a wheel shape.

How to draw cars easy, step by step.

The site how to draw cars easy, step by step on Hubpages, has been rewarded by receiving many positive comments and worth a visit, for some great information about drawing cars easy.

Hubpages.com/how to draw cars easy step by step/.
For the best info (Hubpages.com/how to draw cars easy step by step/) every time.

The page shown above, is about using simple methods of drawing, it is particularly aimed at drawing cars but most of the information can be transferred to any other subject matter. I am sorry but you will need to take a look at page art, a visual question on the way to it. This page is about negative space, it is an interesting concept, about seeing your drawings by looking at the area, surrounding the subject, take a look it, it will be worth it, perhaps you will find out how to draw cars another different way.

2009 Mustang Shelby GT500 Marker Pen Drawing.

How to draw cars easy, yes it is very easy, you just do it like everybody else does it, the problem is, you don’t know how everybody else does it, do you?

If you don’t know, then I will tell you how 2 draw cars and I will tell you how to draw cars step by step as well, I will tell you how to get them right first time, every time, just like all the great car designers do it.

Except they had to learn the hard way and I will show you the easy way, with no holds barred, bang on every time, without failure, because everybody is still learning the hard way.

There is a much easier way to learn how to draw, that for some great unknown reason, nobody is telling you about, so I will.

How To Draw Cars Grid Constrution

How do they design great looking cars?

How do they draw great looking cars?

The simple answer is they don’t, 99% of all car drawings are drawn on production lines by more than one person and the final designs are not even drawn by people but are actually drawn by machines nowadays, yes they are.

Do you really think that computer software companies design drawing programs for the fun of it?

No fear, these companies design drawing programs as a means of making money by providing others with equipment, that will make their jobs easier, drawing software is designed to make things easier.

How to draw cars easy GT 500 concept idea
Don’t forget, (Hubpages.com/how to draw cars easy step by step/) Far and away one of the best hubs I have seen on drawing.

Do you think that companies spend thousands of dollars on computer equipment, so there designers can sit around all day, drawing with a pencil, no fear, they don’t. Yes people do sit around drawing all day with pencils sometimes but mostly that is only to generate ideas and a great deal of the time is spent drawing, redrawing over, and over again, the same things, that are just slightly different.

Nowadays this is mostly done by machine, when Walt Disney made cartoons like Jungle Book they employed hundreds of people, to produce those animated movies, now they use machines.

If I was to draw a fairly decent car from scratch, free hand, it would take me at least a couple of hours but it would take anybody, the same amount of time not just me because drawing lines takes time, no matter how good you are and to draw a fairly decent car, would take at least a couple of hours. Then to make a slight change to it, you would have to spend, another couple of hours, drawing another one, that was slightly different, so at that speed it would take you 8 hours to make, about 4 changes.

Do you really think that anybody lets you do that, when designing cars, especially when there are thousands, of slight alterations made in the design process, to make sure everything is as near perfect as possible?

The Beatles and the 5th Beatle, negative, positive space.
The Beatles and the 5th Beatle, negative, positive space. Don’t forget (Hubpages.com/how to draw cars easy step by step/).

Think about it, if someone designed a car, then they decided to put it into production, it would cost millions of dollars to get to that point, so if they then produced, ten or twenty and found out they where no good, do you think it would be OK? Trust me it would not be OK, car companies don’t say, we will just spend another few million dollars putting it right, not on your life.

When a car goes into production, it is completely right because if it is not, then it will cost the company millions of dollars to put right and perhaps even people’s lives, will be at risk, so that’s why they get it right, but the truth is, how to draw cars step by step, is very easy when you do it like they do.

The truth is you can do it, just like the car companies do it, at home with a computer because that’s all they use to do the jobs, of hundreds of people and you can get the software for free, legally free.

You too can scribble a few cars down on a piece of paper, then design them and produce a finished professional piece of work, every time, the same way they do it, easily.

Austin Healey 3000 MKIII Marker Pen Drawing.
Austin Healey 1960’s sports car, 3000 MKIII Marker Pen Drawing, (Hubpages.com/how to draw cars easy step by step/).

How to draw easy cars, will provide you with all the information to get you started, on how to do this, legally free.

How to draw a car easy, is only the start, it will soon grow into, how to draw cars easy step by step, one will soon become many.

Modern mark making, in the context of drawing, a point of view.

I took the charcoal drawing of a 1967, Austin Healey, 3000 Mk III, sports car and super imposed it into another image of a thumb and finger, using GIMP photo editing software, I fused them together to compose the image below, about understanding perspectives and using mark making, as a visual dynamic for tricking the eye.

Pencil drawing photo image of a thumb and finger.In the drawing above you will see two different pencil techniques, one is called hatching and the other is called tonal modeling, both are used often, as drawing techniques for different reasons mostly. The hatching or also called cross hatching technique, is often used to draw subjects, that lend themselves to that type of mark making, like hair, grass and other textures, that can be described with lots of little lines or dashes going all in one direction or differing directions, and is a natural way to use a pencil.

The other technique is tonal modeling, which is where the pencil is smudged or modeled using graded tones, to create soft edges and shadows, most often seen in the drawing of skin tone, and clouds but in the drawing above, you will notice that both are being used in the same drawing.

The finger and thumb of the hand is drawn using hatching and cross hatching, whereas the back of the hand is drawn using a tonal modeling technique. The example is used to show how these techniques, can be used in this way and although they lend themselves to best describe textures that have been mentioned, they can also be used effectively to describe textures, that would not really lend themselves to these techniques, like with the finger and thumb.

This is also an example of how you can take already existing drawings and with photo editing software, fuse them together as a means of generating new ideas, bringing very different tools together to aid the creative process.

The image below, is almost completely created using tonal modeling and is a example of use, where it would accurately describe the fleshy textures of the baby’s skin tones, as well as, the bone textures of the skull, with the only hatching type marks, being around the word zeitgeist, which are again smudged pencil lines, with slightly modeled edges, that are not sharp or well defined. Mark making is also found in painting as well as drawing and is an important part of all kinds of art, where sometimes they are not lines, dashes or modeled areas but can be splashes, scribbles or pointillist type marks.

Zeitgeist, spirit of the times, pencil drawing.
The Zeitgeist, is the spirit of the times, this is a pencil drawing of life and death, called Zeitgeist .

A hand and the artificial creations, born from its great ability, to manipulate the world around it, isn’t all intelligence artificial because we only think we know, when we recognize the mark making?

Charcoal drawing of a 1967, Austin Healey

This is a charcoal drawing of a 1967 Austin Healey, 3000 Mk III, it was my first attempt at drawing a car using charcoal. The fact is it was my first attempt at using a charcoal pencil. Most of my work up until this point when using charcoal, was much bigger drawings and mostly life drawings. Charcoal drawings are good to draw because you can get very good tonal definition. Although the charcoal does not give you the same subtle tonal variation, you can get with a graphite pencil. This is mainly because it is usually very black or dark brown, almost black, where as graphite is grey but never quite reaches a black.

1967 Austin Healey 3000 Mk III charcoal drawing.

The other issue with graphite is the darker, the tones and thicker the layers of graphite are the reflective they are. This makes them seem lighter than the they actually are, at different angles because of the reflected light. Charcoal does not present this issue, as it is courser, producing little or no reflective qualities. Another issue with charcoal is, it is difficult to make very fine precise lines, partly because the material it’s self is quite soft and powdery. This issue can be improved considerably with compressed, harder charcoal or some harder charcoal pencils which I did not have when doing this drawing. The wheel spokes and some of the fine chrome details, would have benefited greatly from having some hard compressed charcoal pencils, when doing this drawing.

Charcoal drawing-size can be an issue.

The car was drawn onto A3, 300gsm watercolor paper, using the smooth side of the paper, the quality of the paper was not a problem but the size was. It would have been better if it was draw on A2 sized paper. This would have given me a bigger drawing area, so that the fine detail would not have needed to be so small. It would have reduced the need for very fine detailed lines.

The 1967 Austin Healey 3000 Mk III, charcoal drawing above, was drawn onto A3 water color paper, also with a little photo editing in this image, using PC software. This amounts to amounts to the darker faded area around the car being added. This gives the impression of it being under a spot light.

Charcoal drawing-better detail with marker pens.

The Austin Healey, 3000 Mk III, drawing below is not a charcoal drawing or graphite pencil drawing. It has been created with various grey marker pens. Slightly larger in size at A2, on 180gsm cartridge paper, it looks better because of it. There are no reflections of light from the marker pens but they have very nice tonal variations, with nice fine details. The issue with marker pens is that they tend to bleed through the paper. This makes the lines thicker than intended but because this was drawn on A2 paper, it compensated for the issue. The marker pens produced a nice drawing, that I was pleased with at the time. There are a few minor issues with it now, after reflecting on it but over all, it is a nice drawing that I am still pleased with.

Austin Healey 3000 MKIII Marker Pen Drawing
Austin Healey 3000 MKIII, this drawing is another example of the car but it was drawn with marker pens and not a charcoal drawing like the one above it.

The grid drawing below is of a Ford Mustang Shelby, GT 500, in graphite pencil. It was used as a construction drawing and was later was filled in using marker pens. It shows how neat and more precise the lines can be using a graphite pencil. It can be compared with the first drawing using charcoal.  The final drawing made from this also turned out well when finished in marker pens.

The  point to remember when when drawing, is size, it is much easier to draw a very fine detailed drawing, when doing it on a large drawing area, than it is when drawing in a small area, so size dose matter and large drawings will also look very impressive, to the onlooker.  If you are going to draw a charcoal drawing of a 1967, Austin Healey or any car with fine detail, then you will be best remembering, that bigger is better, size matters.